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Part
VIII |
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VIII
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--Old
Russian proverb. I remember.Brrr.
Hermetic thermos. Silver put away.
The wind is turning, and the spokes of trees
Give brittle shivers, raining crystal beads
In codeless patter: fallen limbs and leaves,
Old signposts stripped for firewood;
A trail of splinters, pencil-shavings, ice.
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470 |
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Sun
burned horizon black, and then went down;
So how do we get back from Retrograd?
I climbed through crushed weeds. Last year's ichnites,
Old frozen hoofprints, softened out of shape,
Though older thaws hung on a distant shed
--Melt-drop and shadow-drop race down to earth--
Icicling in frakturs from the eaves.
Synaptic bristling made noble play
In blue lucidities, on rotting leaves,
Through thriving briar barriers, a wood
Trapped between tenses of a restless thaw. |
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Titles
Part
I Notes
I
Part II Notes
II
Part III Notes
III
Part IV Notes
IV
Part V Notes
V
Part VI Notes
VI
Part VII Notes
VII
Part VIII Notes
VIII
Part IX Notes
IX
Part X Notes
X
Part XI Notes
XI
Part XII Notes
XII
©,
Acknowledgments
The
Author
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480 |
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(A
gust loosens everything; icecrystals blow;
Twelve trees
are standing there, all in a row.)
Where now? Ah. Three-beamed birch. Rough underbrush;
Tenacity of shadows; voluble
Syllabic gulpings, unpronounceable
Coughs; some hard but thawing consonants,
And, clinging to my leg, an ardent burr.
The wind is turning. Now the brittle twigs
Englassed by old rains tremble, click and shift--
Woody and green, tough and supple, caught
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490 |
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And
insulated in an instant glass
Already old: dark instar entering
Its end. The wind moves, turning from the trees
And stops; I stop. Our glassy path is still.
Heartbeat. I'm
lost here. Listen: silence. Then
Resounding distance: plate-iron surfaces
Breaking up: old winter's office sacked,
Swirling with leaves and papers; back, ahead,
Far echoes go. Contracting thaw will spread
In cold floods over tensing maps
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500 |
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With
plosive meltshock: what comes after that?
Right? Left?
the paths cross, run to air,
Are lost in weeds. Better patched with ice
Than spongy with fresh carnage. (Branches click
And stiffly flex.) The dullest granite chip
Wears a bezel flickering with time
Made small: the bright ice of a winter's day,
The negative beneath its brilliancy
(Like wide lake at night, with wilder sky
Turning eternities--subjunctive verb
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Needled
with crystallings before, beyond
All life). I moved into a rude square. Check:
A prisoned twig, a poignant paperweight
Clicked softly. On worn marble, rusting iron,
Shadow and light replayed their famous match
(I came in late): Devastating is White's
Breakthrough of Red's pawn structure.... Dead
Squares blurred. Left? Right? I made my way,
Skirting an ugly stretch of thaw, across
A bare chart raked clean of boundaries
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520 |
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But
not bird droppings, black leaves, spinal twigs,
And peeling barkstrips scrolled away from trunks.
Hard buds guarded a path; I bent them back,
But warmth dropped away in sudden wind;
Quoins ratcheted. The chase of the lake locked up.
I've gone
too far: a tanktread in the mud.
The old glacier must have come this way,
Left scattered broken shackles of hard rock
And stubborn winter: Roman roads of ice
That will not melt, in far-flung colonies
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530 |
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Enduring
empire still (each puddle makes
A worn slab, a marble step). All lead
Through thaw, through grassroots cracks, decline and spring,
To medieval comforts (as a crystal crown
Tilts on an ermine cape of shrinking snow).
Crack: the irrigation follows. Caught
Between tenses, trees grew thorny shades
That race and tangle; suddenly unknot:
Chained and suspended bronze swings gently down.
"ECONOMICS, POLITICS exist
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540 |
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To
clear a space for life, not be life." Crack.
"Its props removed, all cruelty is nude
Fear." A helicopter maple seed
(Quick rustling overhead--) spirals down
Knocked loose by--gray blur--free fir leap--!--
--A trembling shadow of a trembling limb.
Red resigns. The fairy tale is done.
Exile is over: everyone come home.
The hood hangs on a peg, the wolf curls up,
The woodcutter strokes its patchy fur,
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550 |
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And
the book stamped
in flaking letters is closed.
The giant lumbers off dragging an oak
In which an ax is stuck. The cupboard's bare
(The cheese was quartz, the bread was painted pine);
The pieces rattle in their wooden box.
All History ends this way: more history;
Slim tremors in the glib and gorgeous weeds.
All futures blank and darken, faltering
And flaring up from liquid wrinklings
Ahead. Blind-spots burn white. So I climbed
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560 |
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Over
a scarlet sweater--matted, rimed--
And someone's bedsprings, overcome with vines.
An ikon makes a handy pot-lid, and
The same malleable materials
Make blindfold or pillowcase; shackle or spoon;
An instrument of torture or a bed
(Intention counts, ash-tongued insomnia's
Inmate of a mattressed solitarium).
The wind comes
down the path; in tousled firs
And pines, green tassels dance. I'm not sure where--
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570 |
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Cayuga
or Ladoga?--where I am.
Am. This liquid purchase on
Verb, releasing, grips again: seized blood
Pushes being forward; space relents,
Relaxes, gathers in again, again
Clenched in the dark, its grasping cavity
Releases; speaks our wet binary: beats.
If earth's enormous turning writes our blood,
Its language isn't arbitrary: mind
Is wrinkled landscape; draining syntax flows
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580 |
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Down
complex incurvations, being shaped
And shaping systems of that wrinkling as
We take uncertain, untranslatable
Steps from a shore we have forgotten, toward
A feared shore, on wet, uncertain plates;
Pass ramshackle
borders; chunks of fallen wall.
The path led through polluted clearings. Flung
Manila folders flattened on the ice
With scattered staples, curling index cards,
A looted filing cabinet--heavy, old;
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590 |
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Lock
busted, overturned--loops of tape,
And piles of papers (dumped out of a truck
That merely slowed)--shut with rusting clips
And old red rubber bands. Wind rifled through
RAPE FILE(fir-needles
wove a færie floor
On which both Wolf and Woodcutter once walked,
Circling on a disappearing trail).
In landscape's wrinkled mind, raw language
(Blurred in running ink, in boldface lies)
Left Russian, emerged in English, leaving harsh
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600 |
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Lacunæ
magic marker blotting out
Incriminating orders (black and red)
That implicate:
A raucous murmuring
Rose in the distance like a change of mood.
Magenta gargoyles seemed to populate
A crowded, littered clearing; through bare elms,
Sweeping the ground with shadows haloed in
Cycling spectra, sliding straws aglow,
Bearing fantastic emblems through the woods,
A Ferris wheel, lit neon, slowly turned
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610 |
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--And,
with a rush, a roller-coaster rose
Sinecurving on its iron scaffolding,
And dove toward gravity--only to swerve
(Downturn, shift, correction, soar, dive)
Like a free market economy.
Old popcorn seeded ground (where history
Amuses) creak (or fails like a) creak
(Business, boarded up). Halations fade;
A shadowy ellipse leans through the woods.
Circling--black--on star-salted ice--
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620 |
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The
empty wheel is turning in the wind.
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Part
VII |
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Part
IX
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